"The bridges carefully selected by Nicolas Despiau for our quartet made our instruments sound more colorful, stronger yet more bonded together, producing a more unified quartet sound!"
Pražák Quartet
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Listening :
There were long discussions to understand the instrument and Jonas's expectations; Josef got involved with the other members of the quartet.
You have to be able to feel the wood of the bridge, to understand its soul.
Measuring it from every angle is harder than it looks.
Marie explains the behaviour of her instrument and what she expects from it.
The listening phase requires a great deal of concentration and completes the exchange.
At the end, Jana plays and the whole team listens to her meticulously, each from a different distance.
The new Pražák Quartet's unified sound, more dynamic, is a team effort.
- Jana Vonáškovál's violin, a Joseph Gagliano from 1780, is fitted with a Pô •••, from Universal range.
- Marie Fuxová's violin, a Pierre Pacherel from 1868, will be fitted with a Garonne •••, from the Dynamic range.
- Josef Klusoň's viola, a Tomas Pilar from 1985, is fitted with a Gimone •••, from the Dynamic range.
- Pavel Jonáš Krejčí's cello, a Paolo Testore from 1761, is fitted with a Pont de Normandie •••, from the Dynamic range.
Find out more:
https://www.prazakquartet.com/en/
